Trained in both architecture and history, Philippe Prost approaches each project not with the intent to erase the past, but to reveal it — to restore its narrative power. In 1990, under his guidance, the transformation of the Citadel of Belle-Île-en-Mer began: a granite-rooted fortress, once a military stronghold, reimagined as a space of hospitality and culture. His intervention respects the site's austere geometry while breathing new life into it. Years later, in Antibes, the revitalisation of Port Vauban — initiated in 2017 — follows the same guiding principle: to bring clarity and coherence to a remarkable maritime site, without erasing its heritage. In Paris, the Hôtel de la Monnaie, restored between 2011 and 2017, illustrates yet another facet of Prost's philosophy: a meticulous restoration, open to the city and its people.
For Philippe Prost, every project is born from dialogue — with time, with materials, with the history embedded in the foundations. Far from spectacular gestures, his architectural language is restrained, precise, almost silent. Nothing is superfluous; everything is driven by one guiding principle: to serve memory without slipping into nostalgia. "To be modern is to continue what still has meaning," he likes to say — a quiet manifesto.
Reimagining Place de la Concorde means embracing the solemnity of the site while offering a contemporary reading of the urban landscape. Neither pastiche nor rupture, but a fertile tension between legacy and modern use. In contrast to architecture driven by ego, Prost's practice is one of deep listening. And perhaps that is his rarest gift — the ability to fade into the background and let what endures speak for itself.
Philippe Prost — Architect of Visible Memories
2022 National Grand Prize for Architecture — Place de la Concorde
Place de la Concorde — a historic crossroads, a convergence of perspectives. By entrusting its redesign to Philippe Prost, Paris has chosen an architect whose every project reveals the traces of the past without freezing them in time.
By La Rédaction
Photography: Jean-Marie Monthiers